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More about the extra extension

Necessary for Nikon ES-1 slide copying attachment on DX DSLR

The ES-1 tube itself telescopes over nearly an inch of range (about 24 mm of extension), but it is designed short, expecting to focus close for a 1:1 full frame film copy. But the sensor size of an APS-C cropped digital camera (1.5x Nikon DX) is smaller than a 35 mm slide. Therefore, the idea of a full frame 1:1 slide copy is instead 1:1.5 (about 0.67 size — Note that 1/1.5 = 0.67). This smaller image means the slide has to be farther in front of the lens than the ES-1 adapter can manage. The macro lens can focus anywhere, but the ES-1 can't move forward enough to get the full frame onto the little digital sensor. It needs nearly an inch more extension. This extension is in FRONT of the lens (between the lens and the ES-1), to move the slide out further. This is a very simple and complete solution, if you can find the extension needed.

In my case of the Nikon 60 mm macro lens and DX D70S DSLR, it needs 20 mm extra extension added (between lens and ES-1) to be able to cover to full frame (to see a little of the black edges). You probably do want to shoot with slight cropping, to prevent having to do a manual crop operation on thousands of slides. And a little cropping is probably a very good thing to help most slides anyway. But without any extra extension, the 60 mm will crop to roughly about 70% of the width (half the area) at maximum ES-1 extension. That is excessive loss. It is fixed by adding a 20 mm long tube with 52 mm threads at both ends, male and female (which goes between front of lens and the ES-1 adapter).

I use a K5 tube from an old Nikon F extension tube set K (see used on Ebay), and it works great. The K set is the very old non-AI mount for original Nikon F — and is NOT compatible today, and is said to damage today's cameras if used as normal extension tubes — however this ES-1 use only needs the one K5 threaded tube (and which is not attached directly to the camera). The Nikon K tube set includes the K5 tube which is an aluminum tube 20 mm long with 52 mm threads at each end (so it fits the ES-1 and BR-5 directly). The K set also includes a similar threaded 10 mm K4 tube, which is nearly enough for the 60 mm (but not quite, there is some cropping). The Nikon Extension tube K set is long out of production, but used tubes may be available, often found on Ebay (search Nikon K extension) or www.keh.com (search Nikon K5 tube — cannot search KEH, so search Google and include keyword KEH). All you need is the K5 ring (which was also sold separately, in its day).

There are other similar extension tube sets, but not all have threaded tubes, and of those, not all are 52 mm threads. You'd want to be sure of the thread size.

Does anyone know of any other similar 52 mm threaded tubes that might be found? A simple tube about 20 mm long, with 52 mm male and female threads on both ends? Finding an extension is the problem, they come and go.

Amazon: 52mm diameter extension tube

Ebay: 52mm diameter extension tube

This 52 mm value refers to the thread diameter, to connect the tube.

If shipped from China, shipping likely takes a couple of weeks. The one that is 21 mm long looks just right for using the ES-1 on an APS-C sensor 1.5x crop body with the 60 mm Nikon AF Micro Nikkor f2.8 D lens. The availability of these items come and go periodically.

The Nikon 40 mm macro lens, or the newest Nikon 60 mm AF-S macro lens, probably do not need any extra extension on a 1.5x crop camera.
An APS cropped DSLR (1.5 or 1.6x crop) likely needs about 20 mm.
A 90 or 105 mm macro lens on cropped DSLR likely needs more than one of the 28mm long version (they screw together as one) or there are other ways not using the ES-1.

Another possibility for a short extension is to knock the glass out of a few old battered 52 mm filters, using only the threaded rim, and combine a few of them threaded together to make a short threaded tube. Maybe search Ebay for "52 mm filter", where sometimes there are Chinese filters (I have seen for $1.65 US, with free shipping). No bets on their coatings or optical performance, but they seem good candidates for breaking out the glass for use as short extension tubes. Several of these could add to be a little longer tube.

This is no doubt confusing, but what I can see is that on a DX body with the older Nikon 60 mm macro D lens, the 20 mm K5 extension tube is sufficient to show an area very slightly larger than necessary at full extension of ES-1 (final image has thin black borders around the mounted slide, except at the bottom — the slide needs to be lifted very slightly. I put a couple of layers of thick paper at the bottom of the ES-1 slot). The ES-1 telescoping can be collapsed some to crop slightly. The 10 mm K4 tube (alone) at full extension will crop the slide to about 89% percent width. No extension at all will crop to about 73% width, probably not acceptable.   20 mm or 30 mm seems about right. I am speaking of the older Nikon 60 mm D macro lens on a 1.5 factor DX DSLR body.

Measuring this requirement: If you have some other macro lens situation, then just to know, I would first do this simple test to determine the requirements of the macro lens you have. The ES-1 is designed for a 55 mm lens on a full frame body, but you can measure what happens with your lens. Without using the ES-1, and in a way that will allow to measure the resulting distance between slide and the lens, focus on a slide at proper distance and size to fill the frame as desired, while in focus. Then carefully measure the distance from that focused slide to front filter ring of lens. Subtract the ES-1 midrange adjustment of about 70 mm (ES-1 adjustment provides between 57 to 80 mm), and that is how much extension is needed between lens and ES-1 (to match that same setup). If it seems possible, just adding a one or a couple of inexpensive tubes might do it just as well. Maybe the camera on a tripod, and the slide does not have to be properly lighted just to measure this focus distance. It sure seems a good try if the numbers work out to expect success. This should be at 1:1 on a full frame camera, and 1:1.5 or 1:1.6 on a APS cropped camera (0.67 or 0.625 reproduction ratio, whatever is necessary to fill the sensor size with the film size).

The ES-1 telescopes to provide a 57 to 80 mm working distance (with BR-5 ring) in front of the lens (so 70 mm would be about the center of its range, to have some adjustment range on either side). Your lens must be able to focus in this range, so the remainder of your measured distance must be supplied by an added extension tube(s). Focusing distance makes the slide image be larger or smaller, and the ES-1 range locates the slide at that correct spot, where the image size is right, at 1:1 for FX or at 1.5:1 for DX.

Here is a good chart showing "working distances" of various macro lenses at 1:1 and 1:2, and a tiny bit of data for 1:1.5. Working distance is the distance IN FRONT of the lens, same as what you just measured here. But note that slide copy on a 1.5x crop or 1.6x crop body will instead need 1:1.5 or 1:1.6, which is more or less in the middle distance between 1:1 and 1:2. So to actually know, just use the simple test described just above to determine what ES-1 extension you actually need.

However on a cropped camera (say a 1.5x crop sensor), instead of 1:1, the cropped DSLR requirement for 35 mm slide copies is about 1.5:1, which is info generally not supplied there (1:1.5 because the 35 mm slide is simply 1.5x larger than the cropped sensor, and must be mounted further out to appear smaller). We might imagine we could multiply the 1:1 distance by 1.5 for the new number, but (for a couple of reasons) modern macro lenses are internal focusing and can shorten focal length up close to help magnification, making this simple multiplication not be correct. Just simply measure what it actually is.

Using the ES-1 on a cropped body, we cannot simply set the lens to 1.5:1 reproduction ratio, because that requires a greater focus distance, and the ES-1 simply will not extend that far. We have to move the slide to be out there. But adding a bit more extension between lens and ES-1 will do that job. Then we can simply set 1.5:1 reproduction.

Do NOT be confused about lens specifications of Minimum or Closest FOCUS Distance. That is something else entirely, and is measured to the sensor plane, at rear of camera, and “focus distance” is Not of interest for this purpose. Instead, Working Distance (in this link just furnished) is the clear space clearance measured to the front of the lens, and is the extension being discussed here. Working Distance is Not in the lens specifications (it obviously depends on focused distance), but it can be easily measured on your lens by focusing on a slide (at 1:1, or 1:1.5, whatever is appropriate), and simply measuring it. The ES-1 telescopes to provide 57 to 80 mm of this Working Distance, designed for Nikon 55 or 60 mm macro lens at 1:1. You must supply the rest, for longer lenses or for cropped sensors.

Looks like the Nikon 105 mm VR macro on DX is about 190 mm (7.5 inches DX), so the ES-1 will need around 135 mm extension tube in front of lens (I have NOT seen or done this, but that is where my 1.5x crop DSLR and 105 mm focuses on a slide copy). That is a LOT of extension. This might become feasible on a FX body (maybe 85 mm additional extension then), but the 1.5x crop 105 mm users should find another way to mount the slide about 7.5 inches in front of the lens.

I am speculating about these unknowns, so you definitely should measure your macro lens working distance numbers yourself, to be sure.

Focus distance and Working Distance are very different things. Nikon specs the closest focus distance of lenses, which is the distance to the sensor plane (the film plane, so to speak) at the rear of the camera. There is a focus plane mark (an O with a line through it, something like Greek Theta ϴ) near the rear edge of the top LCD, and that line marks this sensor plane — and all focus distances refer to it. Whereas "Working Distance" is from the front of the lens to the subject, important for slide copies (but DX magnification complicates that, not at 1:1 for slide copy).

I also have an old Nikon 55 mm macro lens (manual lens, old f/3.5 modified to AI), which came with a 27.5 mm M2 extension tube to do 1:1). On a DX digital body, it still needs additional forward extension to size the slide, and the 10 mm K4 ring works for it (at maximum ES-1 telescoping extension) on a 1.5x Nikon D300 DX body. This requirement for extra front extension is due to the smaller DSLR sensor size. Or better, this 55 mm lens could use the same 20 mm K5 tube, with the ES-1 telescoped to about mid position.

To be sure it is clear, the B&H page for the ES-1 says it is for the current 55 mm f/2.8 macro lens and PK-13 extension tube (27.5 mm). The PK-13 is a bayonet mount extension tube for use BEHIND the lens, to allow the 55 mm lens to focus to 1:1. The 60 mm AF macro lens already focuses to 1:1 and does not need or use the PK-13 for 1.1.

Here is Nikon's chart that comes with the ES-1 adapter says the 60 mm lens alone (no extension tube) does 0.96 to 1.0 reproduction — on a FX full frame body. But note the DX DSLR can only use 0.67 reproduction for a slide copy. The DX problem is that forward extension will still be necessary to position the slide far enough out to capture all of its size.

All the rest about the ES-1 may be great, but Nikon is letting us down on this. For $60, seems Nikon should be providing such extension tube(s) for DX with the ES-1. Or at least they should make one available. It is required to use the ES-1 with their DX digital cameras.


Or maybe the necessary extension tube is too difficult to find. Forgetting about the ES-1, maybe there are other innovative ways to make something at home. It will likely only be used for a few days anyway, until all the slides are copied. All that is really needed is the macro lens pointing perpendicular to the slide, and a diffused light source on the back side. I have seen one made from about one foot of 1x4" board, with the camera bolted to one end (1/4"-20 screw for tripod socket), and a plastic pill bottle with a notch across the top to hold the slide, attached at the other end on a small movable board to adjust position. This slide holder seems the only tricky part.

Or any standard macro setup should work too, simply with a tripod or copy stand, and a DSLR and a good lens, pointing at the slide which is located appropriately close. Two parts of this seem harder than normal work: One is making a slide holder that is convenient, fast and reliable to use, but which might be as simple as laying the slide at a certain spot on a translucent slide sorting tray. The other (to copy slides) is getting the lens to focus at the one correct close distance and enlargement size.

Macro Photography is a big subject (Search Google), but standard methods to get the closeup enlargement are:

Extension tubes or close up lenses are very handy for photographing things we come across, like bugs or flowers, where we accept whatever enlargement size we get, but this slide copy problem is harder because it requires an exact size ratio, and an exact size area. It is difficult to predict the exact extension giving that exact situation. A zoom lens is not the best optically, but its variable focus length surely makes this job much easier.

The rule of thumb for bellows or extension tubes behind the lens is that an extension length near equal to the lens focal length will give 1:1 ratio when the lens is focused to infinity. Modern lenses with internal focusing are probably a bit shorter at 1:1. However, near 1:1, there will only almost zero focusing size range other than 1:1 (perhaps only 0.99 to 1.1), and 1.5 will not be possible. A shorter extension will give a greater range farther from 1:1. But this is trial and error, and there is not sufficient control possible for exact ratios. Again, a zoom lens will help this by offering many choices.

This degree of magnification needs everything to be motionless. Using the self-timer on the shutter would help, or a remote control or shutter cord, to prevent shaking the camera. Or the speed of a flash used as a source would greatly help that aspect.

There must be several other ways to use the macro lens and DSLR to quickly copy slides. But what makes the Nikon ES-1 desirable is that it provides an adequate slide holder, and it attaches to the lens so that any relative motion between slide and camera is zero, no shake.


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